After three weeks of bouncing around in the backseats of jeeps, our time in the Congo is over.
We left the DRC yesterday morning. Rushing out of the hotel, the touristy trinket I’d been resisting the most, a tiny wooden replica of Goma’s famous tshukudus (a kind of giant scooter made to transport goods), became too much. I bought one from the vendor as we packed our bags, happy that something tangible may house my thoughts on this place while I’m gone.
Then, after driving a few meters to the border station known as La Corniche, we got our passports stamped in the DRC, walked for a short while in a muddy patch of no man’s land where abandoned transport trucks park slanted in the ditch, and became visitors of Rwanda once again.
Just like that, the noise, the dust, the old battered clothes were gone. Beyond the Rwandan immigration office, I could see a fleet of motorcyclists ready to pick up passengers on the perfectly paved road. But instead of wearing a 1980s-style winterjacket, colourful mittens and any other kind of quirky yet stylish appendage, they all had identical helmets and vests. Just like that.
It might sound odd to fall in love with what makes a place hard to live in. But not if you think about it. The tough facts of life are what make it a life at all – an individuals or group’s experience arching through failure and struggle to reach something of their own design. To witness that arch as it’s being designed by people in places like Bukavu and Goma was the most incredible part of the last few weeks.
There are people relentless in their optimism for the country, who take the time to notice the small signs of progress; the market streets filled with people, young men taking karate lessons on the shores of Lake Kivu. There were people who don’t think the region lives up to its status as a post-conflict zone, and feel the uneasy peace may soon crumble. Others – most of them – have no choice but to carry on with quiet and backbreaking work to feed themselves and their families.
On our last night in Goma, we had to time to visit a transit centre that helps rehabilitate former child soldiers. We were delivering three boxes of toys, clothes and cleaning products that had been donated at Dalhousie University. The shipping, which took from December 2011 to July this year, was paid for by a local high school in Halifax.
We pulled up to the centre, surrounded by a high white-painted wall and ringed with barbed-wire, and a pair of eyes peeked through a small opening.
In the centre, I finally saw what we’d come her to change. Young boys walked around the yard, talking with each others or listening to a tiny hand held radios. Many of them had an awkward gait from some injury in their legs or feet. Some of them couldn’t be any older than 10. One boy clearly suffered from a neurological disorder, his eyes unable to focus on anything for more than a few seconds.
The work we’ve been doing in the Congo – training the national army on how to deter recruitment of child soldiers – is abstract. We won’t see the tangible effects take root right before our eyes. But here in the transit centre, I could see what we were working toward, ensuring a childhood for every person no matter where they’re born.
At the other end of the yard, a group of the former child soldiers were gathered around a television that suddenly began playing a music video. Their silhouettes began dancing under the blue tarp.
“C’est une chanson fetish,” said Leon, one of the mission’s facilitators. The expression means a universally popular song, and indeed, the song they were dancing to, “Sawa sawa,” can be heard at every bar and club in the country. Not one day went by over our three weeks here that we didn’t hear it.
So there was part of the design people here are trying to achieve. Children once forced to weild weapons and kill can now dance like any normal young person.
Back inside of the centre’s main offices, there was a problem. Someone had donated colourful knit hacky sacks, but no one here knew what they were.
Suddenly, I found myself leaping through the doorway. Someway, somehow, an innane skill I once used to pass the time between classes in high school became a piece of knowledge of servere importance. I picked up the hacky sack, tossed it a few times between my knees and feet, and saw one boy smile as he figured out what I was doing.
I lost it. I walked outside quickly so no one would notice the tears. Why the heck would teaching someone to play hacky sack be this emotional?
Because after three weeks of working on a problem that is so complex and difficult to understand, that little ball of beads became a tangible way to express the simplicity of the mission we’d be working on. Young people should be able to play as young people. And it’s never hard to find your own youth buried beneath the surface.
From the perspective of a hotel room in Kigali after the fact, the three weeks in the DRC feels like a small adventure inside a much bigger saga.
For DRC the country, we were a tiny team of foreigners and locals among many trying to quell an injustice that originates amid a much heavier and more complex historical tide.
For the Child Soldiers Initiative, the mission is one small step among many toward creating the best response to the recruitment of child soldiers wherever it takes place.
And for the individuals who took part, it was a month of cooperation and conversation between people at very different junctures of their lives and careers that hopefully brought them new light on why they love this kind of work.





